People often don’t realize the amount of work that goes into getting ready for a show or a gallery. Here Sandi shows off her work tagging and organizing all the baskets made this winter. She was getting ready for the Gallery opening!
Here are Sandi’s baskets, tagged and ready.
Labels are a necessary thing. Most items we buy come with some sort of a label, and art is no
exception. Of course the price of the art is important, and that is often the first thing people look
for when they look at the label. But in addition to the price, artists are often asked to include
other information on their labels. Sometimes this can be confusing for the potential buyer. Other
information usually refers to things such as; the artist’s name, an assigned code using artist
initials, an inventory number, a title, dimensions, and materials or medium used to create each
piece. Of course all that information needs to be presented in a neat, easily readable manner.
Ya right. No problem. The most common issue is distinguishing between the price and the
inventory number, even though one starts with a $ symbol while the other starts with a # symbol.
Removable stickers are very helpful and allow for changes to codes and inventory numbers as
art is shown at different venues.
Paper being prepared
The very first time I did a show, all my baskets had open faced labels with individualized
information printed on each label. I was very proud of all the work I had accomplished, including
each label tied to each basket. During that day it rained, only very briefly, but long enough to get
the labels wet. All the ink ran and the print became unreadable. I was so disappointed. I knew I
had to replace all my labels with something that would provide some resistance to rain.
So back to the drawing board….What if I made folded covers for my labels out of fake
parchment paper? The parchment paper would keep the information on the inside dry, and it
could withstand a bit of rain without being ruined. Inside the folded covers, I could attach my
business card, and include another folded paper insert that had all the information that is usually
requested. Finally, each label could attached to the art using recycled telephone wire. So that’s
what I did and it works!
the cutting process
Finished product
When I make the parchment paper, I like to include dried silver dollars and the seeds from the silver dollar plant. I make the paper in the summer when it is warm enough to work on large tables in the garage. I use a lot of white glue in the process, and summer temperatures allow it to dry in a few days. After the glue has dried, the parchment paper needs another warm day to soften it before cutting it into size and then folding it in half. I use a large paper cutter to cut the
parchment paper and paper inserts.
It takes me a lot of time to create the labels for my art, but some people tell me that they like the label so much, and they want to keep the information it contains, so they leave the label attached to their basket. That makes all the work worthwhile for me!
Yes, labels are a lot of work but labels are a necessary thing.
Sandi will be working in the gallery next on June 1st, 2019.
This past winter I had a most unfortunate experience while dog-sledding. While on a rest break, my dogs reacted to a red squirrel and before I could find my brake, I found a small tree. After a very brief, violent encounter with the tree, both my hands and wrists were mangled, bruised and bleeding. After a visit to Minden Hospital, I came home with ten stitches across the back of my left hand. My right hand escaped stitches but was cut and bruised. I looked like I had Frankenstein hands! This was not good. I need my hands for basket weaving!
I cut and gather and process natural materials all year round so that I can leisurely weave baskets as the snow flies and the wood stove burns. Now I wasn’t able to use my hands, so there was no basket weaving happening for a month and a half! Not to mention, no more dog sledding or cross country skiing.
Once I could use my hands again, the pressure was on to race against Mother Nature. I use fresh dogwood and willow, and the warming spring temperatures were quickly closing my window of time before pussy willows and leaves would start to emerge.
Forget about the leisurely weaving! Now I was weaving baskets as quickly as I could, all day long, and Mother Nature was cooperating, keeping the temperatures cool enough that my dogwood and willow were not drying out. As long as I had fresh materials, I could continue weaving. The last few baskets I made actually had willow that was trying to sprout their flowers.
The baskets I make in the winter represents my stock for the rest of the year so I was happy that my season was extended with a cold wintery spring! My right hand has fully recovered and my left hand bears the scar of impact and I will probably always have a wonky ring finger. But I can still weave baskets. Of course I’m not very fond of red squirrels anymore and I will be wiser when I resume dog-sledding next winter.
Sandi will next be at the gallery on the 15th and 17th of June.
Spring is always a busy time of year, and in my basket weaving life it is even busier! All winter long I gather willow and vines, and soak many, many yards of bark, before happily constructing a large variety of spoked baskets. Once Spring arrives, I start to notice changes in the materials that I gather and use all winter. The willows sport pussy willows, quickly followed by leaves. The dogwood loses its lovely red colour, and the outside temperature starts getting pleasantly warmer. These are all signs that its time to put my basket weaving on hold and start to plan my once yearly, cedar bark gathering.
The arrival of spring means that it is time for me to refocus, and put my energy and time into replenishing my stock of cedar bark. Cedar bark can only be gathered during a short window of time anywhere from late April to late May. During this time, the sap is running in the bark, but it is not yet sticky. Sticky bark is hard to peel and separate, and who wants a sticky basket? This window of time is dependent on the warming temperatures of spring, so every year it is a guessing game to determine when to start peeling.
This year I have plans to make some trails on my property suitable for dog-sledding, and several cedars are in the way. If I don’t cut them down this spring and harvest the bark, those trees will be knocked down later this summer, and by then the bark will no longer be useful for basket making. So, I have been very busy cutting down and peeling cedar trees. This year I have the luxury of more time to spend gathering bark. I have been able to peel the bark from the tree and then immediately remove the outer bark from the inner bark while the bark is still moist and flexible. The outer bark is not useful, but the inner bark is well worth the time spent to gather and process it. Cedar bark peels off the tree in a lengthwise direction. When first peeled, the inner bark is a creamy white colour and feels wet and slippery, but not sticky. I remove the outer bark and coil each strip of inner bark and tuck in the ends to contain the coil. I then bundle the coils together and hang the bundle to dry in my studio. As it slowly dries out, the bark turns a golden honey colour, and becomes stiff and inflexible. In this state it can be stored in my studio for many years until I’m ready to use it.
Sandi will be in the gallery next on June 3rd.
In the process of gathering cedar bark I cut down the entire tree. However I use different parts of the tree for different purposes, and nothing is wasted. After cutting down the cedar tree, I cut all the limbs off, leaving a short stub on the trunk so the bark will lift off more easily. The peeled trunk is put aside and is used for landscaping, bridge building and kindling wood. The cedar bark that I peel off, is processed into weavers, and is one of my favourite materials to use for basket weaving. Large branches and small diameter trunks form the legs for twig furniture. Smaller branches are put to one side and are also used in twig furniture. This year however, I found a new use for the small cedar branches that I haven’t thought of before! I love it when I get a new idea that I am pretty certain will work out successfully. I don’t know why I haven’t thought of this idea before!!
In the past, I have often peeled vines and used them for basket frames. I have peeled basswood branches for wall weavings. I almost always include peeled willow and peeled dogwood in my baskets, but I have never peeled cedar branches with the intent of making a basket frame. Impulsively, I decided to peel a pair of small cedar branches, exposing the creamy coloured wood that I knew was underneath. Then I carefully bent and flexed the cedar branch over my knee so it would bend to form a fish basket shape without breaking. This worked well because the branches were so fresh, so I made several fish basket shapes and wired each pair together. I have set these frames aside in my studio to let them dry out. If I keep them out of the weather they should slowly age to a yellowish patina.
I will use the peeled cedar frames in my basket courses this summer, and I look forward to using them myself to add to my basket repertoire.
I will be in the gallery next, on June 10th. Perhaps I will see you there!
We would like to acknowledge the Economic Development Division for awarding us with the City of Kawartha Lakes Arts and Culture Resiliency Funding. Their investment is deeply appreciated.
